|
Peter
Lamas is one of the leading make-up artists and beauty experts
in the world. His clients read like a Who's Who of Hollywood - Jackie
Onassis, Elizabeth Taylor, Audrey Hepburn, Faye Dunaway, Diana Ross,
Sharon Stone, Cindy Crawford and Kate Winslet, to name but a few.
Peter's film credits include the gorgeous make-up design seen in
James Cameron's Titanic. Peter regularly appears on television and
in the media in North/South America, Europe and Asia. He travels
extensively across the globe, speaking to women of many different
cultures, about how they can realize their potential to be beautiful
both inside and out.
Peter
is founder and Chairman of Lamas Beauty. |
Shifting
Sands of Beauty

"Venus" of Willendorf |
The most famous early likeness of a human, a woman, is the "Venus" of
Willendorf, found in 1908 by archaeologist Josef Szombathy near the town
of Willendorf, Austria. The first figures we know of which represent the
human form are believed to be more than fifteen thousand years old; they
are all female, very round and bumpy, with prominently displayed sexually
erotic areas (breasts, belly, rear). Some call these curvy girls fertility
Goddesses, but for all we know they are the Stone Age equivalents of Pamela
Lee, and were tucked by males under primitive beds like a favorite photo
from Playboy.
The tiny Willendorf statue is voluptuous and sensuous, and dare I say
- sexy. You almost believe you can reach through the aeons and touch her
soft skin, and whisper to her how beautiful she looks in her intricate
head covering. This ancient female, who probably was worshipped and cherished
in her own time, would most likely be overlooked and ignored by many modern
Western males - perhaps even ridiculed. Does this mean that this woman
was not beautiful? Actually, in my own experience at watching the so-called
"standards of beauty" shift and evolve, it just indicates that people
are fickle, and that what one considers "beautiful" is set by forces other
than just brute "nature." Humans are the only animal on the planet who
can convince themselves wholeheartedly one day, year, decade or century
that a certain feminine type with a particular hair color, style, body
shape and height is the pinnacle of beauty; and decide the next that this
same woman is grotesque.
Over the last 30 years of working in the "world of beauty," I have witnessed
some changes in this mercurial "standard of beauty" which I find disturbing
- even dangerous.
| 
Betty Grable
|
During the
1940's, blonde and leggy pin-up Betty Grable inspired a generation of
war weary American GI's. At one point, her famous legs were insured for
over one million dollars. Today, Grable would probably be told by a casting
director or modeling agent to "go home and lose 20 pounds." Marilyn Monroe,
the iconic sex symbol of the 50's, had a BMI

Marilyn Monroe |
(Body Mass
Index) of 20 (which is considered by the insurance agencies, which set
this standard, to be ideal). Perhaps Monroe, who already had a habit of
controlling her weight with addictive diet pills, would have been ordered
to drop 30.
The image
of Lisa Fonssagrives, the top fashion model of the 50's, served as inspiration
to the cream of fashion photographers, including George Hoyningen-Huene,
Man Ray, Horst, Erwin Blumenfeld, George Platt-Lynes, Louise Dahl-Wolfe,
Norman Parkinson, Richard Avedon and of course Irving Penn (her husband).
| 
Lisa
Fonssagrives
|
Most people
would probably not think of Lisa as overweight, but she is positively obese
compared to the stick women who currently appear in fashion magazines and
on the catwalks.
From 1974 to 1984, once a month I trekked to Lincoln Center to style
the hair for the ballerinas in George Balanchine's renowned troupe, the
New York City Ballet. I came to know many of these girls quite well. It
was not a secret that if you wanted to work in the company, you'd have
to starve yourself. I'd watch them drink water and eat a leaf of lettuce,
and then do their exhaustive training regime after rehearsal. I'd see
the results of this abusive lifestyle show up in their hair. It was dull,
very weak, and would literally be coming out in clumps into my brush.
Balanchine can be credited - or blamed - for creating the notion of the
ideal ballet body. He was always telling his dancers that he wanted to
"see their bones." Unfortunately, many of Balanchine's ballerinas are
now the ones who control many professional companies, so his perverse
legacy continues. A "Balanchine body" is one with narrow hips, little
or no fat deposits, long, lean legs, a short, slim torso, small breasts,
and delicate looking arms. Very few people genetically fit that description,
which is why eating disorders are so common among ballet dancers. Most
frightening of all is the fact that ballet dancers are expected to be
between 10-15% below normal weight, and the gauge for anorexia nervosa
is 16% below normal weight. This is obviously unhealthy.
A story
we are currently running in the View from the Community section of
LamasBeauty is what sparked my ruminations on the capricious and unpredictable
concept of "beauty." The young woman who wrote this article, a fashion
model, is fully aware that her chosen career has caused her to make certain
sacrifices (such as...food), but she understands and accepts her lifestyle.
She enjoys the benefits (high pay, glamour, excitement), and endures the
drawbacks (rejection, uncertainty, and more rejection). Over all, I think
her attitude is fairly healthy. She has a great understanding of her strengths,
as well as her weaknesses. That said, if my own daughter had told me she
wanted to be a model, I'd have strongly discouraged her. And remember,
this is coming from someone who has worked in the beauty industry for
three decades.

Kate Moss |
Quite honestly, I believe that it is insulting to women to try to force
them to squeeze into what is, in reality, an absurd (and always changing)
ideal. My advice to my own clients is always, "Do what suits you best.
You can't force your body to be what it isn't." That ultra-thin look that
is so popular now is but a fleeting dream. Most women would have to literally
starve themselves to look like Kate Moss. "Today the ideal woman has the
legs and hips of an adolescent boy and the breasts of a mature woman.
That's impossible for most of us to achieve without surgery," says Anne
Bolin of Elon College in North Carolina, who studies women body builders."
And with genetics playing the largest role in how tall you are and what
your body shape is, in my opinion this type of surgical intervention is
downright brutal.
I think it's unnecessary to try to create an illusion of what your body
isn't meant to be. And in this dieting, obsessed-with-thinness-culture
in which we live, this notion is almost radical. Women need to embrace
and accept who they are, and understand that who that person is is perfect
- whether she is shaped like the mysterious prehistoric Venus of Willendorf,
or a six foot 14 year old waif parading around in clothes which her Mommy
might be able to afford, but could never fit into.
With
much love,
Peter Lamas
Discuss
this article with others right now at
The Salon!
|